Tag Archives: Megumi Matsubara

Reading & Talk | Undress | Berlin

Megumi Matsubara, "Undress" 2015, installation view, ifa Stuttgart (15)

Performative talk with Megumi Matsubara
July 17, 17h

Megumi Matsubara read her poetry Undress followed by an artist talk and conversation on her work Undress: installation created as an olfactory experience of the absent fragrance La Japonaise.

“Undress”
a performance by Megumi Matsubara at the exhibition
“Carrefour / Meeting Point”
The Marrakech Biennale and beyond

17th July 2015, ifa-Gallery Berlin

http://www.ifa.de/en/visual-arts/ifa-…

Megumi Matsubara reads her poem and talks about her new work “Undress”: a space designed to create a fragrance “La Japonaise” composed of eight different scents separately floating in the exhibition space.
The installation was first shown at ifa-Gallery Stuttgart before ifa-Gallery Berlin.

“Undress is a state of nudity characterized by not the eyes of the other, but oneself. How far can we undress: you and me, me and myself?” (Megumi Matsubara)

Reading & Talk   Megumi Matsubara
Music   Clovis Lemée
Film   Ilja Gorbunov

„Undress“ (Ausziehen)
Eine Performance von Megumi Matsubara in der Ausstellung
„Carrefour / Treffpunkt“
Die Marrakech Biennale und darüber hinaus

17. Juli 2015, ifa-Galerie Berlin

http://www.ifa.de/de/kunst/ifa-galeri…

Megumi Matsubara liest ihr Gedicht „Undress“ (Ausziehen) und spricht über ihre letzte, gleichnamige Arbeit: Ein Raum, in dem das von ihr geschaffene Parfum „La Japonaise“ aus acht verschiedenen Düften entsteht, die unabhängig voneinander durch den Ausstellungsraum schweben.
Die Installation wurde erstmalig in der ifa-Galerie Stuttgart gezeigt, anschließend in der ifa-Galerie Berlin.

„Ausziehen ist ein Grad an Nacktheit, der nicht durch die Augen der Anderen, sondern durch jeden selbst charakterisiert wird. Wie weit können wir uns entblößen: Du und ich, ich und ich selbst?“ (Megumi Matsubara)

Lesung und Gespräch   Megumi Matsubara
Musik   Clovis Lemée
Film   Ilja Gorbunov

Carrefour / Treffpunkt / Meeting Point
July 17–October 4, 2015

ifa Gallery Berlin, ifa (Institute for Foreign Cultural Relations)
Linienstrasse 139/140
10115 Berlin
Germany

Hours: Tuesday–Sunday 14–18h
Admission free

Participating artists: Saâdane Afif, Leila Alaoui, Yassine Balbzioui, Max Boufathal, Megumi Matsubara, Clara Meister and S.T.I.F.F.

Curator: Alya Sebti

 

Undress

Dec 2014 MEGUMI MATSUBARA   Undress           “I am already naked. What else can I remove?” Once, I attended a cicada break its shell. I stayed up all night to be present—I was eight. It was summer, in the silence of dawn, blue light. The cicada started knocking its body, from within. Blinks perplexed me. Every time I blinked, it pared itself. The new body exposed—white, glittering, so new it was wet, so naked, almost invisible. Its transparent wings reflected the blue. When it fully came out of itself, it stood on the top of its empty self. Its volume was in two—void and lightness. The… Continue reading

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Group Show | Carrefour / Treffpunkt | Stuttgart

Megumi Matsubara presents a new project for this occasion, and will be attending at the opening and artist talk:

CARREFOUR / TREFFPUNKT
Group show at ifa Gallery Stuttgart, Germany

Works by Saâdane Afif, Leila Alaoui, Yassine Balbzioui, Max Boufathal, Megumi Matsubara, Clara Meister
Curated by Alya Sebti
Organized and produced by ifa (Institut für Auslandsbeziehungen)

Artists’ and curator’s talk & preview:
6 May 2015, 16.30–18.00

Vernissage:
7 May 2015, 19.00–

 

“Où sommes-nous maintenant? Where are we now? Wo stehen wir heute?” was the title of and question raised by the 5th Marrakech Biennale, whose artistic director, Alya Sebti, also devised the exhibition “Carrefour / Meeting Point” for the ifa Galleries Stuttgart and Berlin.

The title of the ifa exhibition sees Marrakech and the bienniale as a metaphorical centre where different paths cross. Marrakech and the biennale were and still are the interface and meeting point between Sub-Saharan Africa and the Maghreb. They form a link to Europe, a turntable between north and south and east and west.

Works from the Marrakech Biennale 2014 and projects that were newly developed for “Carrefour / Meeting Point” look at the permeability between public spaces and private realms. The artists Saâdane Afif, Leila Alaoui, Yassine Balbzioui, Max Boufathal, and Clara Meister explore possible ways addressing our vulnerability and our position in the world – in the form of sculptures, installations, sound and video works. Megumi Matsubara developed a new form of exhibition, having a special perfume created for “Carrefour / Meeting Point” by a Moroccan perfumer. In and with these works, the artists create a further new space for encounter, exchange and collaboration.

With the “Spot on …” series, in recent years the ifa Galleries in Stuttgart and Berlin have presented international biennials supported by ifa (Institut für Auslandsbeziehungen). The aim was to present lesser-known biennials in Germany and also to raise awareness of these international ifa activities.

Saâdane Afif, Leila Alaoui, Megumi Matsubara and Clara Meister present their works; curator Alya Sebti explains the exhibition concept. There will be an opportunity to enjoy an aperitif and talk with the artists and curator. In englischer Sprache / In English

LIBRAIRIE DES COLONNES, RENCONTRE AVEC L’ARTISTE MEGUMI MATSUBARA

 

Exhibition – Book signing – Reading with music by Megumi Matsubara (language: Japanese/English) at Librairie des Colonnes bookstore

Exposition – Signature – Lecture poétique sonorisée par Megumi Matsubara (langue: japonais/anglais) à Librairie des Colonnes

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Megumi Matsubara reads her work The Tale of the Japanese and the Mosquito. The reading will be followed by a presentation of her other titles including A proposal for a textbook to learn Braille, English, and other languages. She will introduce the details and structures behind those titles, exhibiting her related works in the store of Librairie des Colonnes.

Hosted by: Simon-Pierre Hamelin (director, Librairie des Colonnes)

TheBlindDream_ReadingPerformanceS

 

 

WALK STRAIGHT

WALK STRAIGHT Solo Show by Megumi Matsubara Voice Gallery Marrakech 31 May – 30 Sep 2014 (extended through 25 Oct 2014) Text and conversation with the artist by Maria Giovanna Mancini > Texte et conversation en française > Testo e conversazione in Italiano The Japanese artist presents a complex project composed of two different works: the first nucleus is disposed along the vertical visual axis the spectator encounters entering the gallery; the second part is represented by the video installation present in the environment that is oriented on the axis ideally orthogonal to the first. The two different installations intersect intensifying references and gazes and interlocking the different points of… Continue reading

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Enter Me Carefully

February 2014 MEGUMI MATSUBARA               Close your eyes.             Enter me carefully.             And witness; all flowers are naked.   I was three. My mother was in front of me putting me to sleep. I was not sleepy. I was lying looking at her face. After a while, she closed her eyes. Soon she fell asleep. She was tired. I could not see her eyes anymore. I watched her face for a long time. Quickly I became afraid. I thought if she never opened her eyes, we would never see each other again. Sleep and death seemed… Continue reading

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Blindness & Dreams

17 Mar 2013, Lecture To the people at March Meeting 2013, during the Sharjah Art Biennale 11, Sharjah, UAE MEGUMI MATSUBARA When you close your eyes, what do you see? Eyes are the window to the soul. When you shut your eyes, you stop seeing things outside and only see the interior of your soul. In that world, knowledge and truth come from inside you. But how can we communicate in the darkness? My work is to create a blank space – where your presence becomes very important, to create intimacy. This intimacy makes you care about things that only you can see. Space has nothing to do with physical… Continue reading

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Statement — Towards Another Awareness of Space

February 2011 MEGUMI MATSUBARA I’ve chosen experiential space as my medium. The space where architecture and art meet, where the borders between the two cease to be an issue. My approach is an attempt to reveal a different awareness of spatiality; to explore, through a collection of ephemeral experiences, the other side of the pleats that is always hidden, the mechanisms of a secretive world . To begin with, I don’t see the borders between visible/invisible, heard/unheard, countable/uncountable. Important to the process of my work, is not the drawing of a line between ‘whether’ or ‘not’, but the search for a balance between two seemingly opposite phenomena. When I succeed… Continue reading

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